I can get stuck in the ‘prosthesis’ perception of technology, extension of the body, tool, etc. whereas in many ways, contemporary critique is positioned more centrally in the realm of ubiquity – ’emeshed’ if you will, more than embedded. So the psyche- which imagines and invents- feels it has always/already ‘absorbed’ the mechanism into the mind/body image of self, and contemplates the neural possibilities as internalized, not theoretic potentials.
Then again, maybe not… (further speculative reading)
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